All Jean-Etienne Liotard Oil Paintings

1702-1789 Swiss Jean Etienne Liotard Gallery He began his studies under Professor Gardelle and Petitot, whose enamels and miniatures he copied with considerable skill. He went to Paris in 1725, studying under J. B. Masse and François Lemoyne, on whose recommendation he was taken to Naples by the Marquis Puysieux. In 1735 he was in Rome, painting the portraits of Pope Clement XII and several cardinals. Three years later he accompanied Lord Duncannon to Constantinople. His eccentric adoption of oriental costume secured him the nickname of the Turkish painter. He went to Vienna in 1742 to paint the portraits of the imperial family. Still under distinguished patronage he returned to Paris. In 1744 he visited England, where he painted the princess of Wales in 1753, and went to Holland in 1756, where, in the following year, he married Marie Fargues. She also came from a Hugenot family, and wanted him to shave off his beard. Another visit to England followed in 1772, and in the next two years his name figures among the Royal Academy exhibitors. He returned to his native town in 1776. In 1781 Liotard published his Trait?? des principes et des r??gles de la peinture. In his last days he painted still lifes and landscapes. He died at Geneva in 1789. Liotard was an artist of great versatility, and though his fame depends largely on his graceful and delicate pastel drawings, of which La Liseuse, The Chocolate Girl, and La Belle Lyonnaise at the Dresden Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and glass painting. He also wrote a Treatise on the Art of Painting, and was an expert collector of paintings by the old masters. Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England. The museums of Amsterdam, Berne, and Geneva are particularly rich in examples of his paintings and pastel drawings. A picture of a Turk seated is at the Victoria and Albert Museum, while the British Museum owns two of his drawings. The Louvre has, besides twenty-two drawings, a portrait of Lieutenant General Hrault and a portrait of the artist is to be found at the Sala di pittori, in the Uffizi Gallery, Florence. While his son also married a Dutch girl, the Rijksmuseum inherited an important collection of his drawings and paintings.
 

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Jean-Etienne Liotard simon lutrell of luttrelstown, c oil on canvas


simon lutrell of luttrelstown, c
simon lutrell of luttrelstown, c
Painting ID::  64309
  1755 berne, kunstmuseum
  1755 berne, kunstmuseum

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Jean-Etienne Liotard Portrat des Francois Tronchin mit seinem Rembrandt-Gemalde oil on canvas


Portrat des Francois Tronchin mit seinem Rembrandt-Gemalde
Portrat des Francois Tronchin mit seinem Rembrandt-Gemalde
Painting ID::  71942
  1757.. 37,5 X 46 cm
  1757.. 37,5 X 46 cm

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Jean-Etienne Liotard Tronchin mit seinem Rembrandt oil on canvas


Tronchin mit seinem Rembrandt
Tronchin mit seinem Rembrandt
Painting ID::  73358
  Date 1757(1757) Medium Deutsch: Pastell Dimensions 37,5 X 46 cm cyf
  Date 1757(1757) Medium Deutsch: Pastell Dimensions 37,5 X 46 cm cyf

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Jean-Etienne Liotard Portrait of Francois Tronchin oil on canvas


Portrait of Francois Tronchin
Portrait of Francois Tronchin
Painting ID::  73642
  Date 1757(1757) Medium pastel Dimensions 37.5 X 46 cm (14.76 X 18.11 in) cyf
  Date 1757(1757) Medium pastel Dimensions 37.5 X 46 cm (14.76 X 18.11 in) cyf

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Jean-Etienne Liotard Marshal Maurice de Saxe oil on canvas


Marshal Maurice de Saxe
Marshal Maurice de Saxe
Painting ID::  75874
  Oil on canvas cjr
  Oil on canvas cjr

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     Jean-Etienne Liotard
     1702-1789 Swiss Jean Etienne Liotard Gallery He began his studies under Professor Gardelle and Petitot, whose enamels and miniatures he copied with considerable skill. He went to Paris in 1725, studying under J. B. Masse and François Lemoyne, on whose recommendation he was taken to Naples by the Marquis Puysieux. In 1735 he was in Rome, painting the portraits of Pope Clement XII and several cardinals. Three years later he accompanied Lord Duncannon to Constantinople. His eccentric adoption of oriental costume secured him the nickname of the Turkish painter. He went to Vienna in 1742 to paint the portraits of the imperial family. Still under distinguished patronage he returned to Paris. In 1744 he visited England, where he painted the princess of Wales in 1753, and went to Holland in 1756, where, in the following year, he married Marie Fargues. She also came from a Hugenot family, and wanted him to shave off his beard. Another visit to England followed in 1772, and in the next two years his name figures among the Royal Academy exhibitors. He returned to his native town in 1776. In 1781 Liotard published his Trait?? des principes et des r??gles de la peinture. In his last days he painted still lifes and landscapes. He died at Geneva in 1789. Liotard was an artist of great versatility, and though his fame depends largely on his graceful and delicate pastel drawings, of which La Liseuse, The Chocolate Girl, and La Belle Lyonnaise at the Dresden Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and glass painting. He also wrote a Treatise on the Art of Painting, and was an expert collector of paintings by the old masters. Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England. The museums of Amsterdam, Berne, and Geneva are particularly rich in examples of his paintings and pastel drawings. A picture of a Turk seated is at the Victoria and Albert Museum, while the British Museum owns two of his drawings. The Louvre has, besides twenty-two drawings, a portrait of Lieutenant General Hrault and a portrait of the artist is to be found at the Sala di pittori, in the Uffizi Gallery, Florence. While his son also married a Dutch girl, the Rijksmuseum inherited an important collection of his drawings and paintings.

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