All Jean-Etienne Liotard Oil Paintings

1702-1789 Swiss Jean Etienne Liotard Gallery He began his studies under Professor Gardelle and Petitot, whose enamels and miniatures he copied with considerable skill. He went to Paris in 1725, studying under J. B. Masse and François Lemoyne, on whose recommendation he was taken to Naples by the Marquis Puysieux. In 1735 he was in Rome, painting the portraits of Pope Clement XII and several cardinals. Three years later he accompanied Lord Duncannon to Constantinople. His eccentric adoption of oriental costume secured him the nickname of the Turkish painter. He went to Vienna in 1742 to paint the portraits of the imperial family. Still under distinguished patronage he returned to Paris. In 1744 he visited England, where he painted the princess of Wales in 1753, and went to Holland in 1756, where, in the following year, he married Marie Fargues. She also came from a Hugenot family, and wanted him to shave off his beard. Another visit to England followed in 1772, and in the next two years his name figures among the Royal Academy exhibitors. He returned to his native town in 1776. In 1781 Liotard published his Trait?? des principes et des r??gles de la peinture. In his last days he painted still lifes and landscapes. He died at Geneva in 1789. Liotard was an artist of great versatility, and though his fame depends largely on his graceful and delicate pastel drawings, of which La Liseuse, The Chocolate Girl, and La Belle Lyonnaise at the Dresden Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and glass painting. He also wrote a Treatise on the Art of Painting, and was an expert collector of paintings by the old masters. Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England. The museums of Amsterdam, Berne, and Geneva are particularly rich in examples of his paintings and pastel drawings. A picture of a Turk seated is at the Victoria and Albert Museum, while the British Museum owns two of his drawings. The Louvre has, besides twenty-two drawings, a portrait of Lieutenant General Hrault and a portrait of the artist is to be found at the Sala di pittori, in the Uffizi Gallery, Florence. While his son also married a Dutch girl, the Rijksmuseum inherited an important collection of his drawings and paintings.
 

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Jean-Etienne Liotard View of Geneva from the Artist s House oil on canvas


View of Geneva from the Artist s House
View of Geneva from the Artist s House
Painting ID::  26912
  mk52 1740 Oil on canvas 24x20cm Rijksmuseum,Amsterdam
  mk52 1740 Oil on canvas 24x20cm Rijksmuseum,Amsterdam

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Jean-Etienne Liotard Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  26916
  mk52 1744-5 Pastel on paper 60.5x46.5cm Gemaldegalerie,Dresden
  mk52 1744-5 Pastel on paper 60.5x46.5cm Gemaldegalerie,Dresden

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Jean-Etienne Liotard Morie-Adelaide of France Dressed in Turkish Costume oil on canvas


Morie-Adelaide of France Dressed in Turkish Costume
Morie-Adelaide of France Dressed in Turkish Costume
Painting ID::  29004
  mk65 Oil on canvas 19 11/16x22 1/16in Uffizi,Gallery
  mk65 Oil on canvas 19 11/16x22 1/16in Uffizi,Gallery

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Jean-Etienne Liotard Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  30056
  mk67 Pastel on panel 24x19 5/16in
  mk67 Pastel on panel 24x19 5/16in

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Jean-Etienne Liotard Turkish Woman with a Tambourine oil on canvas


Turkish Woman with a Tambourine
Turkish Woman with a Tambourine
Painting ID::  33803
  mk86 c.1738-1743 Oil on canvas 63.5x48.5cm Geneva,Musee d'Art et d'Histoire
  mk86 c.1738-1743 Oil on canvas 63.5x48.5cm Geneva,Musee d'Art et d'Histoire

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     Jean-Etienne Liotard
     1702-1789 Swiss Jean Etienne Liotard Gallery He began his studies under Professor Gardelle and Petitot, whose enamels and miniatures he copied with considerable skill. He went to Paris in 1725, studying under J. B. Masse and François Lemoyne, on whose recommendation he was taken to Naples by the Marquis Puysieux. In 1735 he was in Rome, painting the portraits of Pope Clement XII and several cardinals. Three years later he accompanied Lord Duncannon to Constantinople. His eccentric adoption of oriental costume secured him the nickname of the Turkish painter. He went to Vienna in 1742 to paint the portraits of the imperial family. Still under distinguished patronage he returned to Paris. In 1744 he visited England, where he painted the princess of Wales in 1753, and went to Holland in 1756, where, in the following year, he married Marie Fargues. She also came from a Hugenot family, and wanted him to shave off his beard. Another visit to England followed in 1772, and in the next two years his name figures among the Royal Academy exhibitors. He returned to his native town in 1776. In 1781 Liotard published his Trait?? des principes et des r??gles de la peinture. In his last days he painted still lifes and landscapes. He died at Geneva in 1789. Liotard was an artist of great versatility, and though his fame depends largely on his graceful and delicate pastel drawings, of which La Liseuse, The Chocolate Girl, and La Belle Lyonnaise at the Dresden Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and glass painting. He also wrote a Treatise on the Art of Painting, and was an expert collector of paintings by the old masters. Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England. The museums of Amsterdam, Berne, and Geneva are particularly rich in examples of his paintings and pastel drawings. A picture of a Turk seated is at the Victoria and Albert Museum, while the British Museum owns two of his drawings. The Louvre has, besides twenty-two drawings, a portrait of Lieutenant General Hrault and a portrait of the artist is to be found at the Sala di pittori, in the Uffizi Gallery, Florence. While his son also married a Dutch girl, the Rijksmuseum inherited an important collection of his drawings and paintings.

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