All Joachim Wtewael Oil Paintings

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
 
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Joachim Wtewael Supper at Emmaus oil on canvas


Supper at Emmaus
Supper at Emmaus
Painting ID::  675 		 
 

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Joachim Wtewael Perseus and Andromeda oil on canvas


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  682 		  1611 Musee du Louvre, Paris
  1611 Musee du Louvre, Paris

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Joachim Wtewael Jupiter and Danae (mk05) oil on canvas


Jupiter and Danae (mk05)
Jupiter and Danae (mk05)
Painting ID::  20363 		  Copper 8 1/4 x 6 1/4''(21 x 16 cm).Acquired in 1979
  Copper 8 1/4 x 6 1/4''(21 x 16 cm).Acquired in 1979

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Joachim Wtewael Perseus and Andromeda (mk05) oil on canvas


Perseus and Andromeda (mk05)
Perseus and Andromeda (mk05)
Painting ID::  20364 		  1611 Canvas,71 x 59''(180 x 150 cm)Given in 1982
  1611 Canvas,71 x 59''(180 x 150 cm)Given in 1982

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Joachim Wtewael Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  26770 		  mk52 1601 Oil on wood 98x74cm Centraal Museum,Utrecht
  mk52 1601 Oil on wood 98x74cm Centraal Museum,Utrecht

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     Joachim Wtewael
     1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).

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