All Joseph Wright Oil Paintings

1734-1797 British Joseph Wright Gallery English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794
 
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Joseph Wright The Forge oil on canvas


The Forge
The Forge
Painting ID::  663 		  1772
  1772

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Joseph Wright Experiment with the Air-Pump oil on canvas


Experiment with the Air-Pump
Experiment with the Air-Pump
Painting ID::  665 		  1768 Tate Gallery, London
  1768 Tate Gallery, London

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Joseph Wright View of the Lake of Nemi at Sunset (mk05) oil on canvas


View of the Lake of Nemi at Sunset (mk05)
View of the Lake of Nemi at Sunset (mk05)
Painting ID::  20948 		  Canvas 41 1/4 x 50 1/2''(105 x 128 cm)Acquired in 1970 R.F 1970-52 (S/AR)
  Canvas 41 1/4 x 50 1/2''(105 x 128 cm)Acquired in 1970 R.F 1970-52 (S/AR)

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Joseph Wright The Experiment with the Aipump (mk22) oil on canvas


The Experiment with the Aipump (mk22)
The Experiment with the Aipump (mk22)
Painting ID::  22788 		  1768 Oil on canvas,183 x 244 cm London,National Gallery
  1768 Oil on canvas,183 x 244 cm London,National Gallery

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Joseph Wright John Coats Browne oil on canvas


John Coats Browne
John Coats Browne
Painting ID::  32053 		  mk77 c.1784 Oil on canvas 61 3/8x42 7/8in
  mk77 c.1784 Oil on canvas 61 3/8x42 7/8in

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     Joseph Wright
     1734-1797 British Joseph Wright Gallery English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794

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