All Koch, Joseph Anton Oil Paintings

Austrian Painter, 1768-1839 Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes.
 
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Koch, Joseph Anton The Monastery of St. Francis in Sabine Hills oil on canvas


The Monastery of St. Francis in Sabine Hills
The Monastery of St. Francis in Sabine Hills
Painting ID::  19113 		  Rome, oil on panel, The Hermitage, St. Petersburg
  Rome, oil on panel, The Hermitage, St. Petersburg

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Koch, Joseph Anton The Schmadribach Falls oil on canvas


The Schmadribach Falls
The Schmadribach Falls
Painting ID::  44063 		  1821-22 Oil on canvas, 132 x 110 cm
  1821-22 Oil on canvas, 132 x 110 cm

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Koch, Joseph Anton Heroische Landschaft mit dem Regenbogen oil on canvas


Heroische Landschaft mit dem Regenbogen
Heroische Landschaft mit dem Regenbogen
Painting ID::  70684 		  Dimensions Expression error: Missing operand for *118 ?? 114 cm
  Dimensions Expression error: Missing operand for *118 ?? 114 cm

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     Koch, Joseph Anton
     Austrian Painter, 1768-1839 Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes.

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