All LASTMAN, Pieter Pietersz. Oil Paintings

Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.
 

       Prev  1  2  3   Next
  Prev Artist       Next Artist     

   
    

LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish g oil on canvas


The Angel and Tobias with the Fish g
The Angel and Tobias with the Fish g
Painting ID::  7817
  c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest
  c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest

Height    Width


  INS/CM       Quality

X

  

LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish (detail) f oil on canvas


The Angel and Tobias with the Fish (detail) f
The Angel and Tobias with the Fish (detail) f
Painting ID::  7818
  c. 1625 Oil on wood Museum of Fine Arts, Budapest
  c. 1625 Oil on wood Museum of Fine Arts, Budapest

Height    Width


  INS/CM       Quality

X

  

LASTMAN, Pieter Pietersz. The Sacrifice of Abraham (mk05) oil on canvas


The Sacrifice of Abraham (mk05)
The Sacrifice of Abraham (mk05)
Painting ID::  20362
  Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895
  Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895

Height    Width


  INS/CM       Quality

X

  

LASTMAN, Pieter Pietersz. Abraham on the Way to Canaan oil on canvas


Abraham on the Way to Canaan
Abraham on the Way to Canaan
Painting ID::  29104
  mk65 1614 Oil on canvas transferred from panel 28x48"
  mk65 1614 Oil on canvas transferred from panel 28x48"

Height    Width


  INS/CM       Quality

X

  

LASTMAN, Pieter Pietersz. Detail of Abraham on the Way to Canaan oil on canvas


Detail of Abraham on the Way to Canaan
Detail of Abraham on the Way to Canaan
Painting ID::  29105
  mk65 Details
  mk65 Details

Height    Width


  INS/CM       Quality

X

  

       Prev  1  2  3   Next
Prev Artist       Next Artist     

     LASTMAN, Pieter Pietersz.
     Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings