All MANFREDI, Bartolomeo Oil Paintings

Italian Baroque Era Painter, 1582-1622 Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,
 
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MANFREDI, Bartolomeo Allegory of the Four Seasons SG oil on canvas


Allegory of the Four Seasons SG
Allegory of the Four Seasons SG
Painting ID::  8039 		  c. 1610 Oil on canvas, 134 x 91,5 cm Dayton Art Institute, Dayton
  c. 1610 Oil on canvas, 134 x 91,5 cm Dayton Art Institute, Dayton

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MANFREDI, Bartolomeo Bacchus and a Drinker d oil on canvas


Bacchus and a Drinker d
Bacchus and a Drinker d
Painting ID::  8040 		  1500-10 Oil on canvas, 132 x 96 cm Galleria Nazionale d'Arte Antica, Rome
  1500-10 Oil on canvas, 132 x 96 cm Galleria Nazionale d'Arte Antica, Rome

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MANFREDI, Bartolomeo Cupid Chastised sg oil on canvas


Cupid Chastised sg
Cupid Chastised sg
Painting ID::  8041 		  1605-10 Oil on canvas Art Institute of Chicago, Chicago
  1605-10 Oil on canvas Art Institute of Chicago, Chicago

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MANFREDI, Bartolomeo The Guard Room sg oil on canvas


The Guard Room sg
The Guard Room sg
Painting ID::  8042 		  Oil on canvas, 169 x 239 cm Gemäldegalerie, Dresden
  Oil on canvas, 169 x 239 cm Gemäldegalerie, Dresden

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MANFREDI, Bartolomeo Lute Playing Young sg oil on canvas


Lute Playing Young sg
Lute Playing Young sg
Painting ID::  8043 		  Oil on canvas, 105 x 77 cm The Hermitage, St. Petersburg
  Oil on canvas, 105 x 77 cm The Hermitage, St. Petersburg

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     MANFREDI, Bartolomeo
     Italian Baroque Era Painter, 1582-1622 Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,

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