All MAULBERTSCH, Franz Anton Oil Paintings

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
 
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MAULBERTSCH, Franz Anton Decoration of the Cupola oil on canvas


Decoration of the Cupola
Decoration of the Cupola
Painting ID::  64404 		  1783 Fresco Parish Church, P?pa The detail depicts the Preaching of St Stephen. Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola (detail), 1751-1800, Austrian , painting , religious
  1783 Fresco Parish Church, P?pa The detail depicts the Preaching of St Stephen. Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola (detail), 1751-1800, Austrian , painting , religious

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MAULBERTSCH, Franz Anton Annunciation oil on canvas


Annunciation
Annunciation
Painting ID::  64417 		  1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. Artist:MAULBERTSCH, Franz Anton Title: Annunciation (study), 1751-1800, Austrian , painting , religious
  1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. Artist:MAULBERTSCH, Franz Anton Title: Annunciation (study), 1751-1800, Austrian , painting , religious

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MAULBERTSCH, Franz Anton Rebecca and Eliezer oil on canvas


Rebecca and Eliezer
Rebecca and Eliezer
Painting ID::  64566 		  1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious
  1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious

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MAULBERTSCH, Franz Anton Allegory of the Alba oil on canvas


Allegory of the Alba
Allegory of the Alba
Painting ID::  64567 		  1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological
  1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological

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MAULBERTSCH, Franz Anton The Education of the Virgin oil on canvas


The Education of the Virgin
The Education of the Virgin
Painting ID::  64570 		  . 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious
  . 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious

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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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