All Mikhail Vrubel Oil Paintings

Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
 
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Mikhail Vrubel The Artist's Left hand oil on canvas


The Artist's Left hand
The Artist's Left hand
Painting ID::  31150 		  mk72 1882-83.Study Black chalk and charcoal on paper 18.6x26.8cm Russian Museum,St.Petersburg
  mk72 1882-83.Study Black chalk and charcoal on paper 18.6x26.8cm Russian Museum,St.Petersburg

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Mikhail Vrubel Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  31151 		  mk72 1882 Watercolor on paper 12.4x7.4cm Russian Museum,St.Petersburg
  mk72 1882 Watercolor on paper 12.4x7.4cm Russian Museum,St.Petersburg

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Mikhail Vrubel A Perslan Prince oil on canvas


A Perslan Prince
A Perslan Prince
Painting ID::  31152 		  mk72 1886 Watercolor and varnish on paper 24.5x16.3cm Tretyakov Gallery,Moscow
  mk72 1886 Watercolor and varnish on paper 24.5x16.3cm Tretyakov Gallery,Moscow

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Mikhail Vrubel Female Model in an oriental Costume oil on canvas


Female Model in an oriental Costume
Female Model in an oriental Costume
Painting ID::  31153 		  mk72 1884 Watercolor on paper 19.8x10.5cm Brodsky Memorial Museum,St.Petersburg
  mk72 1884 Watercolor on paper 19.8x10.5cm Brodsky Memorial Museum,St.Petersburg

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Mikhail Vrubel Hamlet and Operlia oil on canvas


Hamlet and Operlia
Hamlet and Operlia
Painting ID::  31155 		  mk72 1883 Original sketch for the 1884 painting of the same title,now in the Russian Museum Watercolor on paper 24.4x16.7cm Russian Museum,St.Petersburg
  mk72 1883 Original sketch for the 1884 painting of the same title,now in the Russian Museum Watercolor on paper 24.4x16.7cm Russian Museum,St.Petersburg

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     Mikhail Vrubel
     Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.

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