All Myles Birket Foster,RWS Oil Paintings

1825-1899 English painter, illustrator and collector. After a short and unsatisfactory period working in the family brewing business, he was able to convince his Quaker parents to allow him to pursue a career in art. He was apprenticed to a wood-engraver, Ebenezer Landells (1808-60), who recognized Foster's talent for drawing and set him to work designing blocks for engraving. Foster also provided designs for Punch and the Illustrated London News. In 1846 he set up on his own as an illustrator. The rustic vignettes of the seasons that he contributed to the Illustrated London News and its counterpart, the Illustrated London Almanack, established him as a charming interpreter of the English countryside and rural life and led to his employment illustrating similar themes in other publications. During the 1850s his designs were much in demand; he was called upon to illustrate volumes of the poetry of Longfellow, Sir Walter Scott and John Milton.
 

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Myles Birket Foster,RWS The Thames from Cliveden (mk46) oil on canvas


The Thames from Cliveden (mk46)
The Thames from Cliveden (mk46)
Painting ID::  26002
  Watercolour and bodycolour with scratching out 34.3x71.1cm
  Watercolour and bodycolour with scratching out 34.3x71.1cm

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Myles Birket Foster,RWS Lane Scene at Hambleden (mk46)_ oil on canvas


Lane Scene at Hambleden (mk46)_
Lane Scene at Hambleden (mk46)_
Painting ID::  26008
  1862 Watercolour and bodycolour 42.5x63.5cm London,Tate Gallery
  1862 Watercolour and bodycolour 42.5x63.5cm London,Tate Gallery

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Myles Birket Foster,RWS The Milkmaid oil on canvas


The Milkmaid
The Milkmaid
Painting ID::  28205
  1860 watercolour 29.7 x 44.5 cm (11 3/4 x 17 1/4 in) Victoria and Albert Museum London (mk63)
  1860 watercolour 29.7 x 44.5 cm (11 3/4 x 17 1/4 in) Victoria and Albert Museum London (mk63)

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     Myles Birket Foster,RWS
     1825-1899 English painter, illustrator and collector. After a short and unsatisfactory period working in the family brewing business, he was able to convince his Quaker parents to allow him to pursue a career in art. He was apprenticed to a wood-engraver, Ebenezer Landells (1808-60), who recognized Foster's talent for drawing and set him to work designing blocks for engraving. Foster also provided designs for Punch and the Illustrated London News. In 1846 he set up on his own as an illustrator. The rustic vignettes of the seasons that he contributed to the Illustrated London News and its counterpart, the Illustrated London Almanack, established him as a charming interpreter of the English countryside and rural life and led to his employment illustrating similar themes in other publications. During the 1850s his designs were much in demand; he was called upon to illustrate volumes of the poetry of Longfellow, Sir Walter Scott and John Milton.

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