All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Coronation of Marie de'Medici (mk05) oil on canvas


Coronation of Marie de'Medici (mk05)
Coronation of Marie de'Medici (mk05)
Painting ID::  20406
  Canvas,155 x 286 1/4''(394 727 cm)INV 1778
  Canvas,155 x 286 1/4''(394 727 cm)INV 1778

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Peter Paul Rubens Apotheosis of Henry IV (mk05) oil on canvas


Apotheosis of Henry IV (mk05)
Apotheosis of Henry IV (mk05)
Painting ID::  20408
  Canvas,155 x 286 1/4''(394 x 727 cm) INV 1779
  Canvas,155 x 286 1/4''(394 x 727 cm) INV 1779

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Peter Paul Rubens The Council of the Gods (mk05) oil on canvas


The Council of the Gods (mk05)
The Council of the Gods (mk05)
Painting ID::  20410
  Canvas,155 x 276 1/2''(394 x 702 cm).INV.1780
  Canvas,155 x 276 1/2''(394 x 702 cm).INV.1780

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Peter Paul Rubens The Capture of Juliers (mk05) oil on canvas


The Capture of Juliers (mk05)
The Capture of Juliers (mk05)
Painting ID::  20411
  canvas,155 x 116 1/4''(394 x 295 cm)INV 1781
  canvas,155 x 116 1/4''(394 x 295 cm)INV 1781

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Peter Paul Rubens The Happiness of the Regency (mk05) oil on canvas


The Happiness of the Regency (mk05)
The Happiness of the Regency (mk05)
Painting ID::  20413
  canvas,155 x 116 1/4''(394 x 295 cm)INV 1783
  canvas,155 x 116 1/4''(394 x 295 cm)INV 1783

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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