Italian
1450-1523
Pietro Perugino Galleries
Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
Date 1501(1501)
Medium Oil on wood
Dimensions Height: 70 cm (27.6 in). Width: 51 cm (20.1 in).
cjr
Date 1501(1501)
Medium Oil on wood
Dimensions Height: 70 cm (27.6 in). Width: 51 cm (20.1 in).
cjr
Height Width
INS/CM Quality
X
Madonna with Child and the Infant St John
Madonna with Child and the Infant St John
Painting ID:: 83615
Date between 1505(1505) and 1510(1510)
Medium Oil on wood
Dimensions Height: 67 cm (26.4 in). Width: 44 cm (17.3 in).
cjr
Date between 1505(1505) and 1510(1510)
Medium Oil on wood
Dimensions Height: 67 cm (26.4 in). Width: 44 cm (17.3 in).
cjr
Height Width
INS/CM Quality
X
Madonna with Child and the Infant St John
Madonna with Child and the Infant St John
Painting ID:: 83616
Date 1497(1497)
Medium Oil on wood
Dimensions Height: 73 cm (28.7 in). Width: 52 cm (20.5 in).
cjr
Date 1497(1497)
Medium Oil on wood
Dimensions Height: 73 cm (28.7 in). Width: 52 cm (20.5 in).
cjr
Height Width
INS/CM Quality
X
The Madonna between St John the Baptist and St Sebastian
The Madonna between St John the Baptist and St Sebastian
Painting ID:: 84294
Date 1493(1493)
Medium Egg tempera and oil on panel
Dimensions Height: 178 cm (70.1 in). Width: 164 cm (64.6 in).
cjr
Date 1493(1493)
Medium Egg tempera and oil on panel
Dimensions Height: 178 cm (70.1 in). Width: 164 cm (64.6 in).
cjr
Italian
1450-1523
Pietro Perugino Galleries
Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
