All Pietro Perugino Oil Paintings

Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
 

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Pietro Perugino The Saint Augustine Polyptych oil on canvas


The Saint Augustine Polyptych
The Saint Augustine Polyptych
Painting ID::  1147
  1470 Fresco Galleria Nazionale dell'Umbria, Perugia, Italy
  1470 Fresco Galleria Nazionale dell'Umbria, Perugia, Italy

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Pietro Perugino Vallombrosa Altar oil on canvas


Vallombrosa Altar
Vallombrosa Altar
Painting ID::  1149
  1500 Galleria dell'Accademia, Florence
  1500 Galleria dell'Accademia, Florence

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Pietro Perugino St.Michael oil on canvas


St.Michael
St.Michael
Painting ID::  1150
  1496 National Gallery, London
  1496 National Gallery, London

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Pietro Perugino The Virgin and child Surrounded by Two Angels (mk05) oil on canvas


The Virgin and child Surrounded by Two Angels (mk05)
The Virgin and child Surrounded by Two Angels (mk05)
Painting ID::  20039
  Wood??tondo??,diameter 58 1/4\'\'(148 cm)Entered the Louvre in 1850
  Wood??tondo??,diameter 58 1/4\'\'(148 cm)Entered the Louvre in 1850

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Pietro Perugino st Jerome supporting Two Men on the Gallows oil on canvas


st Jerome supporting Two Men on the Gallows
st Jerome supporting Two Men on the Gallows
Painting ID::  20041
  Wood 12 1/4 x 12''(31 x 30 cm)Entered the Louvre in 1863
  Wood 12 1/4 x 12''(31 x 30 cm)Entered the Louvre in 1863

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     Pietro Perugino
     Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

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