All Raphael Oil Paintings

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
 

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Raphael virgin and child with oil on canvas


virgin and child with
virgin and child with
Painting ID::  64788
  st. john the baptist the madonna of the meadow oil on panel, 113x88 se
  st. john the baptist the madonna of the meadow oil on panel, 113x88 se

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Raphael virgin and child wild st. oil on canvas


virgin and child wild st.
virgin and child wild st.
Painting ID::  64789
  john the baptist louvre, paris oil on panel,122x80cm
  john the baptist louvre, paris oil on panel,122x80cm

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Raphael the palm tree oil on canvas


the palm tree
the palm tree
Painting ID::  64790
  national gallery of scotland, edinburgh, on loan from the duke of sutherland wood transferred to canvas, diameter 140cm se
  national gallery of scotland, edinburgh, on loan from the duke of sutherland wood transferred to canvas, diameter 140cm se

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Raphael far right madonna del baldacchino oil on canvas


far right madonna del baldacchino
far right madonna del baldacchino
Painting ID::  64791
  pitti palace, florence oil on panel, 277x224cm se
  pitti palace, florence oil on panel, 277x224cm se

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Raphael far leet :entombment oil on canvas


far leet :entombment
far leet :entombment
Painting ID::  64792
  borghese gallery, rome oil on wood,184x176cm se
  borghese gallery, rome oil on wood,184x176cm se

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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