All Raphael Oil Paintings

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
 

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Raphael marriage of the virgin oil on canvas


marriage of the virgin
marriage of the virgin
Painting ID::  64783
  dated 1504 brera, milan oil on wood,170x118cm se
  dated 1504 brera, milan oil on wood,170x118cm se

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Raphael virgin and child oil on canvas


virgin and child
virgin and child
Painting ID::  64784
  enthroned with ss. john the baptist and nicholas of bari national gallry, london oil on wood,209x148 se
  enthroned with ss. john the baptist and nicholas of bari national gallry, london oil on wood,209x148 se

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Raphael portrait of agnolo doni oil on canvas


portrait of agnolo doni
portrait of agnolo doni
Painting ID::  64785
  pitti palace, florence oil on panel, 63x45 se
  pitti palace, florence oil on panel, 63x45 se

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Raphael portrait of maddalena oil on canvas


portrait of maddalena
portrait of maddalena
Painting ID::  64786
  pitti palace, florence oil on panel, 63x45 se
  pitti palace, florence oil on panel, 63x45 se

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Raphael madonna conestabile oil on canvas


madonna conestabile
madonna conestabile
Painting ID::  64787
  hermitage, st petersburg tempera on panel, transferred to canvas, diameter 18cm. se
  hermitage, st petersburg tempera on panel, transferred to canvas, diameter 18cm. se

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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