All Raphael Oil Paintings

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
 

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Raphael Self portrait with a friend oil on canvas


Self portrait with a friend
Self portrait with a friend
Painting ID::  94737
  1518-1519 Type Oil on canvas Dimensions 99 cm x 83 cm (39 in x 33 in) cyf
  1518-1519 Type Oil on canvas Dimensions 99 cm x 83 cm (39 in x 33 in) cyf

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Raphael Michael Vanquishing Satan oil on canvas


Michael Vanquishing Satan
Michael Vanquishing Satan
Painting ID::  94738
  1518 Type Oil transferred from wood to canvas Dimensions 268 cm x 160 cm cyf
  1518 Type Oil transferred from wood to canvas Dimensions 268 cm x 160 cm cyf

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Raphael Portrait of Leo X oil on canvas


Portrait of Leo X
Portrait of Leo X
Painting ID::  94739
  1518-1519 Type Oil on wood Dimensions 154 cm x 119 cm cyf
  1518-1519 Type Oil on wood Dimensions 154 cm x 119 cm cyf

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Raphael Madonna of the Rose oil on canvas


Madonna of the Rose
Madonna of the Rose
Painting ID::  94742
  1518-1520 Dimensions 103 cm x 84 cm (41 in x 33 in) cyf
  1518-1520 Dimensions 103 cm x 84 cm (41 in x 33 in) cyf

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Raphael The Vision of the Cross oil on canvas


The Vision of the Cross
The Vision of the Cross
Painting ID::  94750
  1520-24 Type Fresco cyf
  1520-24 Type Fresco cyf

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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