All SPADA, Lionello Oil Paintings

Italian Baroque Era Painter, 1576-1622 Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
 
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SPADA, Lionello The Concert wtr oil on canvas


The Concert wtr
The Concert wtr
Painting ID::  9145 		  c. 1615 Oil on canvas, 143 x 172 cm Mus??e du Louvre, Paris
  c. 1615 Oil on canvas, 143 x 172 cm Mus??e du Louvre, Paris

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SPADA, Lionello St Jerome ear oil on canvas


St Jerome ear
St Jerome ear
Painting ID::  9146 		  1610s Oil on canvas, 112 x 143 cm Galleria Nazionale d'Arte Antica, Rome
  1610s Oil on canvas, 112 x 143 cm Galleria Nazionale d'Arte Antica, Rome

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SPADA, Lionello The Return of the Prodigal Son (mk05) oil on canvas


The Return of the Prodigal Son (mk05)
The Return of the Prodigal Son (mk05)
Painting ID::  20374 		  Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
  Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797

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SPADA, Lionello Un concert du musique oil on canvas


Un concert du musique
Un concert du musique
Painting ID::  30998 		  mk70 Toile. H.1.42 L.1.72 Maisons-Laffitte,Chateau
  mk70 Toile. H.1.42 L.1.72 Maisons-Laffitte,Chateau

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SPADA, Lionello Enee et Anchise oil on canvas


Enee et Anchise
Enee et Anchise
Painting ID::  30999 		  mk70 Toile H.1.94 L.1.33 Paris,Musee du Louvre
  mk70 Toile H.1.94 L.1.33 Paris,Musee du Louvre

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     SPADA, Lionello
     Italian Baroque Era Painter, 1576-1622 Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).

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