All STUBBS, George Oil Paintings

English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
 

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STUBBS, George William Anderson with Two Saddle-horses er oil on canvas


William Anderson with Two Saddle-horses er
William Anderson with Two Saddle-horses er
Painting ID::  9180
  1793 Oil on canvas, 102,2 x 127,9 cm Royal Collection, Windsor
  1793 Oil on canvas, 102,2 x 127,9 cm Royal Collection, Windsor

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STUBBS, George The Milbanke and Melbourne Families rwy oil on canvas


The Milbanke and Melbourne Families rwy
The Milbanke and Melbourne Families rwy
Painting ID::  9181
  c. 1769 Oil on canvas, 97 x 149 cm National Gallery, London
  c. 1769 Oil on canvas, 97 x 149 cm National Gallery, London

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STUBBS, George Haymaking  t oil on canvas


Haymaking t
Haymaking t
Painting ID::  9182
  1785 Oil on wood, 89,5 x 132,5 cm Tate Gallery, London
  1785 Oil on wood, 89,5 x 132,5 cm Tate Gallery, London

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STUBBS, George Whistlejacket r oil on canvas


Whistlejacket r
Whistlejacket r
Painting ID::  9183
  1761-62 Oil on canvas, 325 x 259 cm Private collection
  1761-62 Oil on canvas, 325 x 259 cm Private collection

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STUBBS, George Molly Longlegs with Jockey (mk08) oil on canvas


Molly Longlegs with Jockey (mk08)
Molly Longlegs with Jockey (mk08)
Painting ID::  21940
  c.1761/62 Oil on canvas, 102x127cm Liverpool,Walker Art Gallery
  c.1761/62 Oil on canvas, 102x127cm Liverpool,Walker Art Gallery

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     STUBBS, George
     English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.

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