All Vittore Carpaccio Oil Paintings

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
 

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Vittore Carpaccio Meeting of the Betrothed Couple (detail) oil on canvas


Meeting of the Betrothed Couple (detail)
Meeting of the Betrothed Couple (detail)
Painting ID::  32271
  1495 Tempera on canvas
  1495 Tempera on canvas

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Vittore Carpaccio The Dream of St Ursula oil on canvas


The Dream of St Ursula
The Dream of St Ursula
Painting ID::  40270
  mk156 1495 Tempera on canvas 274x267cm
  mk156 1495 Tempera on canvas 274x267cm

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Vittore Carpaccio Venetian Ladies,known as the courtesans oil on canvas


Venetian Ladies,known as the courtesans
Venetian Ladies,known as the courtesans
Painting ID::  41182
  mk157 c.1490 Oil on wood 94x61cm
  mk157 c.1490 Oil on wood 94x61cm

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Vittore Carpaccio Triumph of St. George oil on canvas


Triumph of St. George
Triumph of St. George
Painting ID::  41205
  mk157 1502-07 Oil on canvas 141x360cm
  mk157 1502-07 Oil on canvas 141x360cm

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Vittore Carpaccio Christ on the Mount of Olives oil on canvas


Christ on the Mount of Olives
Christ on the Mount of Olives
Painting ID::  41206
  mk157 1501-03 oil on canvas 141x107cm
  mk157 1501-03 oil on canvas 141x107cm

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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