All Marmion, Simon Oil Paintings

French-born Flemish Northern Renaissance Painter, ca.1425-1489 French illuminator and painter. He was trained in Amiens and established a productive workshop in Valenciennes, but at the end of his career appears to have had connections with manuscript painting in the southern Netherlands. Although no signed or documented works survive, many illuminated manuscripts and some panel paintings have been convincingly attributed to him and his workshop. On the basis of these he has been recognized as an important figure in the development of both French and Netherlandish painting.
 
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Marmion, Simon The Healed Knight and his Son at the Monastery oil on canvas


The Healed Knight and his Son at the Monastery
The Healed Knight and his Son at the Monastery
Painting ID::  19293 		  Before 1459 Oil on panel Gemäldegalerie, Staatliche Museen, Berlin.
  Before 1459 Oil on panel Gemäldegalerie, Staatliche Museen, Berlin.

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Marmion, Simon A Choir of Angels oil on canvas


A Choir of Angels
A Choir of Angels
Painting ID::  19294 		  1459 National Gallery, London.
  1459 National Gallery, London.

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Marmion, Simon The Virgin and Child (attributed to Marmion) oil on canvas


The Virgin and Child (attributed to Marmion)
The Virgin and Child (attributed to Marmion)
Painting ID::  19295 		  approx. 1465-75 Oil on panel National Gallery of Victoria, Melbourne.
  approx. 1465-75 Oil on panel National Gallery of Victoria, Melbourne.

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Marmion, Simon The Sacrifice of Isaac oil on canvas


The Sacrifice of Isaac
The Sacrifice of Isaac
Painting ID::  19296 		  1487-89 Parchment British Library, London.
  1487-89 Parchment British Library, London.

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Marmion, Simon A Choir of Angels oil on canvas


A Choir of Angels
A Choir of Angels
Painting ID::  51712 		  nn09 c.1459 57.8x20.5cm
  nn09 c.1459 57.8x20.5cm

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     Marmion, Simon
     French-born Flemish Northern Renaissance Painter, ca.1425-1489 French illuminator and painter. He was trained in Amiens and established a productive workshop in Valenciennes, but at the end of his career appears to have had connections with manuscript painting in the southern Netherlands. Although no signed or documented works survive, many illuminated manuscripts and some panel paintings have been convincingly attributed to him and his workshop. On the basis of these he has been recognized as an important figure in the development of both French and Netherlandish painting.

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