All MASACCIO Oil Paintings

Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.
 

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MASACCIO Tribute money oil on canvas


Tribute money
Tribute money
Painting ID::  55926
  mk247 c.1426,fresco,100x234 in,255x598cm,brancacci chapel,santa maria del carmine,florence,ltaly
  mk247 c.1426,fresco,100x234 in,255x598cm,brancacci chapel,santa maria del carmine,florence,ltaly

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MASACCIO Virgin and Child oil on canvas


Virgin and Child
Virgin and Child
Painting ID::  55927
  mk247 1426,egg tempera on wood 53.125x29 in,135x73.5cm,national gallery.london,uk
  mk247 1426,egg tempera on wood 53.125x29 in,135x73.5cm,national gallery.london,uk

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MASACCIO The Trinity oil on canvas


The Trinity
The Trinity
Painting ID::  55928
  mk247 1428,fresco,262.5x124.875 in,667x317 cm,santa maria novella,florence,ltaly
  mk247 1428,fresco,262.5x124.875 in,667x317 cm,santa maria novella,florence,ltaly

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MASACCIO Holy Trinity oil on canvas


Holy Trinity
Holy Trinity
Painting ID::  56803
  mk250 Florence, Italy, and Maria church, about the year 1428. Frescoes, 640.1 x 317.5 cm.
  mk250 Florence, Italy, and Maria church, about the year 1428. Frescoes, 640.1 x 317.5 cm.

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MASACCIO Mary exciting oil on canvas


Mary exciting
Mary exciting
Painting ID::  58291
  mk261 Florence in 1426 egg tempera of wood 24.5 x 18 cm
  mk261 Florence in 1426 egg tempera of wood 24.5 x 18 cm

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     MASACCIO
     Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.

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