All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 

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Domenichino The Repose of Venus oil on canvas


The Repose of Venus
The Repose of Venus
Painting ID::  29064
  mk65 Oil on canvas 23x30"
  mk65 Oil on canvas 23x30"

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  INS/CM       Quality

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Domenichino Detail of  The Repose of Venus oil on canvas


Detail of The Repose of Venus
Detail of The Repose of Venus
Painting ID::  29066
  mk65 Detail
  mk65 Detail

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  INS/CM       Quality

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Domenichino The Assumption of Mary Magdalen into Heaven oil on canvas


The Assumption of Mary Magdalen into Heaven
The Assumption of Mary Magdalen into Heaven
Painting ID::  29227
  mk65 Oil on canvas 51x43"
  mk65 Oil on canvas 51x43"

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  INS/CM       Quality

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Domenichino Sainte Cecile avec un ange tenant une partition musicale oil on canvas


Sainte Cecile avec un ange tenant une partition musicale
Sainte Cecile avec un ange tenant une partition musicale
Painting ID::  31000
  mk70 Toile H.1.60 L.1.20 Paris,Muse du Louvre
  mk70 Toile H.1.60 L.1.20 Paris,Muse du Louvre

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  INS/CM       Quality

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Domenichino Le Roi David jouant de la harpe oil on canvas


Le Roi David jouant de la harpe
Le Roi David jouant de la harpe
Painting ID::  31002
  mk70 Toile H.2.40 L.1.70 Versailles,Musee National du Chateau
  mk70 Toile H.2.40 L.1.70 Versailles,Musee National du Chateau

Height    Width


  INS/CM       Quality

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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