Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro The House of the Deaf Woman and the Belfry at Eragny oil


The House of the Deaf Woman and the Belfry at Eragny
Painting ID::  48987
The House of the Deaf Woman and the Belfry at Eragny
mk192 1886 65.1x81cm
mk192 1886 65.1x81cm
   
   
     

Camille Pissarro View through a Window,Eragny oil


View through a Window,Eragny
Painting ID::  48988
View through a Window,Eragny
mk192 1888 65x81cm
mk192 1888 65x81cm
   
   
     

Camille Pissarro The Boldieu Bridge,Rouen oil


The Boldieu Bridge,Rouen
Painting ID::  48990
The Boldieu Bridge,Rouen
mk192 1896 73.7x91.4cm
mk192 1896 73.7x91.4cm
   
   
     

Camille Pissarro The Roofs of Old Rouen,Gray Weather oil


The Roofs of Old Rouen,Gray Weather
Painting ID::  48991
The Roofs of Old Rouen,Gray Weather
mk192 1896 72.3x91.4cm
mk192 1896 72.3x91.4cm
   
   
     

Camille Pissarro Rue de L-Epicerie,Rouen oil


Rue de L-Epicerie,Rouen
Painting ID::  48992
Rue de L-Epicerie,Rouen
mk192 1898 81.3x65.1cm
mk192 1898 81.3x65.1cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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