100% hand painted oil painting  

 

HOME

Artist: MARIESCHI, Michele
View of the Basilica della Salute (detail) r
ID::. 8072
48x72 INS or 120x180 CM

BACK



Width: INS
Height: INS 
     
 
90 days guarantee
  
If you buy picture frames with quantity, click HERE for BIG discount.
Click & Choose
View of the Basilica della Salute (detail) rstretcherstretched


   MARIESCHI, Michele View of the Basilica della Salute (detail) r   

Would you like old masters work for your portrait? Click here!
  
Tell us your location & get a best quotation!
EMAIL US
   How do we stretch your painting?   Terms & Conditions

 



Here are some oil paintings we have painted!

 

MARIESCHI, Michele

Italian Painter, 1710-1743 Italian painter and engraver. His first biographers, Orlandi and Guarienti (1753), stated that Marieschi worked in Germany early in his career and then returned to Venice, where he established himself as a painter of 'beautiful views of the Grand Canal, and of churches and palaces'. Yet there is no other evidence for this journey and Marieschi's early training remains problematic. It seems likely that he began his career as a stage designer: his first recorded activity, in 1731, was the preparation, on behalf of the impresario Francesco Tasso ( fl 1725-c. 1740), of the setting for the Venetian celebration of Carnival Thursday in the Piazzetta. He then, influenced by Marco Ricci and Luca Carlevaris, began to paint capriccios and vedute. His early capriccios, such as the pair Capriccio with Classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (mid-1730s; Naples, Mus. Civ. Gaetano Filangieri), are indebted to Ricci, although they lack his solemnity and magnificence. Marieschi's blend of medieval and Classical ruins in a serene Venetian landscape is more picturesque and romantic. Marieschi began to paint vedute having been encouraged by Canaletto's great success with the genre; examples such as the S Maria della Salute (1733-5; Paris, Louvre), the Piazzetta dei Leoni and the Grand Canal at Ca' Pesaro (1734-5; both Munich, Alte Pin.) are distinguished from Canaletto's work by their exaggerated perspective, more atmospheric colour and the spirited handling of the small figures. Two capriccios, the Town on a River with Rapids (London, N.G.) and the Town on a River with Shipping (London, N.G.;.), both charmingly picturesque scenes with watermills and crumbling towers, date from the mid-1730s. Marieschi began to etch in the 1730s,
ID: 8072 View of the Basilica della Salute (detail) r 1733-35 Oil on canvas Mus??e du Louvre, Paris









 

Wholesale China Oil Painting, Frame, Mirror Directly From Factory



 CLOSE

Hang Your Painting On Wall Now!   Email

MARIESCHI, Michele


ORIGINALS