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Artist: Charles Ricketts
Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32)
ID::. 25040
Size: 20x24 INS

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Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32)stretcherstretchedFrame ID: Ta026Frame ID: Ta087Frame ID: TA198Frame ID: Ta3070-1Frame ID: ta3071-1Frame ID: ta3078-1Frame ID: ta3081-1Frame ID: Ta3123-3Frame ID: Ta3139-1Frame ID: Ta3142-1Frame ID: Ta001Frame ID: Ta001-2Frame ID: Ta002Frame ID: ta003Frame ID: Ta012Frame ID: Ta016Frame ID: Ta017Frame ID: Ta020Frame ID: Ta021Frame ID: Ta021sFrame ID: Ta034Frame ID: Ta035Frame ID: Ta039Frame ID: Ta043Frame ID: Ta050Frame ID: Ta051Frame ID: Ta068Frame ID: Ta082Frame ID: Ta086Frame ID: ta096Frame ID: Ta112Frame ID: Ta125-4Frame ID: Ta144Frame ID: Ta149-2Frame ID: Ta159Frame ID: TA213Frame ID: ta214Frame ID: ta220


   Charles Ricketts Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32)   

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Charles Ricketts

1866-1931 English painter, designer, writer and collector. He trained as an illustrator at the City and Guilds Technical Art School, Lambeth, London, where he met and formed a lifelong relationship with CHARLES HAZELWOOD SHANNON. He identified with the ideals of the Aesthetic Movement, finding inspiration in Renaissance art as well as in the French artists Gustave Moreau and Pierre Puvis de Chavannes. In 1888 he took over James Abbott McNeill Whistler's house, The Vale, in Chelsea and drew together an artists' colony. Inspired by the work of A. H. Mackmurdo and William Morris, he set up a small press over which he exercised complete control of design and production, producing art journals and books that included Oscar Wilde's A House of Pomegranates (1891) and The Sphinx (1894). Ricketts later designed founts, initials, borders and illustrations for the Vale Press (1896-1904), blending medieval, Renaissance and contemporary imagery.
ID: 25040 Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32) 31.7 x 48.2 cm Coll Robin Duff Anc Charles Jerdein Londeres judith archetype de la femme fatale etait de meme que Salome un theme tres prise en particulier par les peintres symbolistes le dessin original de Ricketts Pour le costume de premier role Joue par McCarthy fut interdit par lord Chamberlain ayant ete juge indecent









 

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