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Artist: unknow artist
The Madonna of St Vitus Cathedral in Prague
ID::. 64728
Size: 20x24 INS



Width: INS
Height: INS 
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The Madonna of St Vitus Cathedral in PraguestretcherstretchedFrame ID: Ta026Frame ID: Ta087Frame ID: TA198Frame ID: Ta3070-1Frame ID: ta3071-1Frame ID: ta3078-1Frame ID: ta3081-1Frame ID: Ta3123-3Frame ID: Ta3139-1Frame ID: Ta3142-1Frame ID: Ta001Frame ID: Ta001-2Frame ID: Ta002Frame ID: ta003Frame ID: Ta012Frame ID: Ta016Frame ID: Ta017Frame ID: Ta020Frame ID: Ta021Frame ID: Ta021sFrame ID: Ta034Frame ID: Ta035Frame ID: Ta039Frame ID: Ta043Frame ID: Ta050Frame ID: Ta051Frame ID: Ta068Frame ID: Ta082Frame ID: Ta086Frame ID: ta096Frame ID: Ta112Frame ID: Ta125-4Frame ID: Ta144Frame ID: Ta149-2Frame ID: Ta159Frame ID: TA213Frame ID: ta214Frame ID: ta220

   unknow artist The Madonna of St Vitus Cathedral in Prague   

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ID: 64728 The Madonna of St Vitus Cathedral in Prague 1420 Tempera on wood, 89 x 77 cm National Gallery, Prague The half length figure of the Virgin holding her Child in front of her on her right side appears in an ornate, three-dimensional frame - though we are not sure whether the frame originally belonged to the picture. Although the whole composition and the manner in which Mary is showing her Child to the congregation of the faithful has preserved the formal solemnity of devotional pictures, the almost coquettish posture of her head and the animation of the Child radiate a natural atmosphere. The striking three-dimensional qualities of the painting point to the influence of the sculptures of "Beautiful Madonnas" of the period, indeed, some scholars believe that the painter is identical with the master of the Beautiful Madonna of Krumlov. Precise and subtle modelling conveys the full forms of the figures, as do the deep, falling folds of the Virgin's mantle, which is made of some heavy fabric; the Child's body and hands are represented organically, and the two figures constitute a group imagined in spatial terms. The Virgin is depicted in a complicate counterpoise: her body is not only bent sidewise, but is also drawn backwards, whereas the whole torso of Jesus faces the spectator. The movements of the two figures in opposite directions stress that the construction of the composition is determined by the two diagonals of the oblong standing frame. The torso of the Virgin is bent into the direction of the diagonal line directed towards the upper right corner, while her head and the Child's body parallel with it point to the opposite direction. The two flesh-coloured areas, the face and the body, are placed in the middle of that diagonal line. The harmonious overall effect of the well-poised composition is intensified by the fact that the Infant's right shoulder is merged with that of His mother and by this means a single, undisturbed outline encloses the two figures. Artist:UNKNOWN MASTER, Bohemian Title: The Madonna of St Vitus Cathedral in Prague, 1401-1450, Bohemian , painting , religious


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