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MEMLING, Hans Oil Paintings
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MEMLING, Hans:
Netherlandish Northern Renaissance Painter, ca.1435-1494
South Netherlandish painter of German origin. Together with Dieric Bouts I and Hugo van der Goes, he was one of the most important exponents of the new artistic developments that flourished in the southern Netherlands in the 15th century in the wake of Jan van Eyck, the Master of Fl?malle and Rogier van der Weyden. Their principal innovation was to apply optic realism to devotional or mystical subjects. Although Memling lived in the turbulent period of transition from the Burgundian ruling house to that of the Habsburgs, little of this is evident in his work. His commissions were almost exclusively from rich burghers in Bruges (bankers, merchants and politicians) or churchmen and the occasional aristocrat. Often they were foreigners, especially Italians, who had political or financial connections with the town, whose central economic position was to last only a few decades longer. They had Memling paint their portraits, bust or full length, in devotional paintings or on altarpieces for their chapel in Bruges or back home. He seems not to have received official commissions (from the town council or court). An exceptional proportion of this oeuvre has survived. Besides about 20 altarpieces, often in several panels and of considerable size, china oil painting MEMLING, Hans The Presentation in the Temple (detail sg
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Related Paintings to MEMLING, Hans :. | Oil painting in USA | Ugolino di Nerio - Moses | Michele Giambono - A Saint with a Book | Peter Paul Rubens35 | Paris Bordone (1500-1571) -- Portrait of a Woman in a green Coat | Drielst, Egbert van -- Boerderijen aan de rand van een bos, 1812 | Jan Van Kessel-Still life of various flwers in a basket,tulips in a copper pot hortensias,asparagi and artichokes laid out on the ground,together with an owl,butterf | John Peter Russell-La Mer a La Spezia | Pierre Renoir-Young Girl Seated | VERMEER VAN DELFT, Jan-The Procuress (detail) rt | Jan Josef Horemans the Elder-Tea Time | |
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