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Apollo and the Muses (Parnassus) af

1630s Oil on canvas, 125 x 197 cm Museo del Prado, Madrid

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POUSSIN, Nicolas:

French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response, china oil painting POUSSIN, Nicolas Apollo and the Muses (Parnassus) af

Related Paintings to POUSSIN, Nicolas :.
| Oil painting in USA | Renoir-Pierre-Auguste-Girl with a Fan | Lorenzo Monaco - Incidents in the Life of Saint Benedict | Bayeu y Subias, Francisco-San Lucas-58 cm x 59 cm | Hendrick van der Burch, Dutch (active Delft and Leiden), born 1627, still active 1666 -- An Officer and a Standing Woman | David Ryckaert III (1612-1662) -- Farmersi Pleasures | GIOTTO di Bondone-Last Judgment | Ernest Meissonier-Remembrance of Barricades in June 1848 | Henri Rousseau-Bouquet of Flowers | Pierre Auguste Renoir-Pink and Blue | Franz Xaver Winterhalter-Menzelschwand (san41) |

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POUSSIN, Nicolas