How We Paint? About Us	ORIGINALS

Buy Only Oil Painting. Please Select Standard Painting Size museum quality:16x20(40x51cm)=$99 museum quality:20x24(51x61cm)=$119 museum quality:24x36(61x91cm)=$159 museum quality:30x40(76x102cm)=$199 museum quality:36x48(91x122cm)=$269 museum quality:48x72(122x182cm)=$469

All MAGNASCO, Alessandro's Paintings. Bandits' Stopping Place 1710s Oil on canvas The Hermitage, St. Petersburg. Oil Painting ID::. 19245   Terms & Conditions Oil Painting Reproductions We Have Painted.

How to stretch your painting? Please Choose Painting Size 16x20 (40x50cm) 20x24 (50x60cm) 24x36 (60x90cm) 30x40 (75x100cm) 36x48 (90x120cm) 48x72 (120x180cm) Custom Size

Here you order HAND-PAINTED oil painting on canvas!

MAGNASCO, Alessandro:

Italian Rococo Era Painter, 1667-1749 Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects, china oil painting MAGNASCO, Alessandro Bandits' Stopping Place

All MAGNASCO, Alessandro's Paintings.