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Market Woman with Vegetable Stall (mk14)

1567 Oil on wood,111 x 110 cm Stiftung preuischer Kulturbesitz,Staatliche Museen,Berlin

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Market Woman with Vegetable Stall (mk14), Pieter Aertsen
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Pieter Aertsen:

1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard). china oil painting Pieter Aertsen Market Woman with Vegetable Stall (mk14)

Related Paintings to Pieter Aertsen :.
| Oil painting in USA | Esaias van de Velde - Winter Landscape with Farmhouse | Giorgio Schiavone - Saint Anthony of Padua | Raffaello Santi052 (2) | Steen, Jan Havicksz. -- Prinsjesdag. Het gezelschap viert de geboorte van prins Willem III, 14 november 1650 | Osias Beert - Still life with apples, grapes and a vase of flowers, 16001620 | Pieter Bruegel the Elder-Dulle Griet | unknow artist-Bargain in Opatow. | Thomas Cole-Vertreibung aus dem Garten Eden | Ernst Ludwig Kirchner-Albertplatz in Dresden | Francesco Hayez-Odalisque Reclining |

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Pieter Aertsen