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Still Life with Lemons,Oranges and Rose

mk86 1633 Oil on canvas 60x107cm Pasadena,

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Still Life with Lemons,Oranges and Rose, Francisco de Zurbaran
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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran Still Life with Lemons,Oranges and Rose

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | Sir John Gladstone by Thomas Gladstones | Auguste Renoir -The Umbrellas | Velde, Adriaen van de -- De verkondiging aan Maria, 1667 | Vase with Hollyhocks | PIERRE-AUGUSTE RENOIR-LAVEUSE DANS UN PAYSAGE | Albrecht Durer-The covered Footbridge at the haller Gate in Nuremberg | Pieter Bruegel the Elder-Children's Games | ALLORI Alessandro-Portrait of a Woman hhhy | GIOTTO di Bondone-lasarus ateruppstar fran de doda | Hans holbein the younger-Portrait of Thomas More |

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Francisco de Zurbaran