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The Last Judgment

1836-39 Fresco Ludwigskirche, Munich In Munich in 1836

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CORNELIUS, Peter:

1824-1874,German composer. Trained as actor and violinist, and friend of artists, poets and writers, he devoted himself to music from the 1840s, finding inspiration in Liszt and the New German School at Weimar in 1852. His first mature works were the lieder opp. 1 and 2 and the song cycle Trauer und Trost op.3, followed by the comic opera Der Barbier von Bagdad (1855-8); all show his literary skill, refreshing simplicity and musical independence from the Liszt circle. In Vienna (1859-65), he wrote his second opera Der Cid and enjoyed fruitful relationships with Brahms, Carl Tausig and above all Wagner, who summoned him to Munich in 1865 as his private repetiteur and teacher at the Royal School of Music. His third opera Gunlöd was never finished. He continued to write poetry and essays defending Wagner and Liszt and translated vocal works by Pergolesi, Berlioz, Liszt and others. Although he revered Wagner, he stood ethically and artistically apart, his work (especially Der Barbier) thus representing an original achievement. china oil painting CORNELIUS, Peter The Last Judgment

Related Paintings to CORNELIUS, Peter :.
| Oil painting in USA | Alathea, Countess of Arundel and Surrey by Daniel Mytens | Edward Boscawen by Sir Joshua Reynolds | Peter Paul Rubens - Adoration of the Magi, 1609-1610 | El Greco-La Crucifixion-312 cm x 169 cm | James Scott, Duke of Monmouth and Buccleuch by Jan van Wyck | Tom Thomson-Painting of Mount Earnslaw | Francois Boucher-Le Peintre dans son atelier | John Singer Sargent-Sargent emphasized Almina Wertheimer exotic beauty in 1908 by dressing her en turquerie | Jacques-Louis David-oath of the horatii | Edgar Degas-lorchestre de l opera |

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CORNELIUS, Peter