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Assumption of the Virgin

237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources

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Juan Martin Cabezalero:

1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young. china oil painting Juan Martin Cabezalero Assumption of the Virgin

Related Paintings to Juan Martin Cabezalero :.
| Oil painting in USA | William George Harris, 2nd Baron Harris by William Salter | Charles Antoine Coypel--Double Portrait Presumed to Represent Francois de Jullienne and His Wife | Francisco Goya - Night Scene from the Inquisition | Paul Gauguin106 | Edouard Manet02 | unknow artist-Desmond Mali Ta Ke Kaier and swallow | Pompeo Batoni-Portrait of Jose Monino, 1st Count of Floridablanca | Albrecht Durer-Joachim and the Angel | Matthias Grunewald-The Mocking of Christ (mk08) | Bartolomeo Bezzi-Da Cles |

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Juan Martin Cabezalero