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1637-1639 oil on canvas, 261x175cm se

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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran annunciation

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | Meester van de Ursulalegende - The Legend of Saint Ursula, the Church and the Synagogue d10 | Anonimo-Escena biblica el rey David-74 cm x 98 cm | Elizabeth Fry by Charles Robert Leslie | Constantine John Phipps, 2nd Baron Mulgrave from NPG | Frederic Leighton (54) | Francesco Hayez-Portrat der Prinzessin di Sant Antimo | Claude Monet-The Cathedral of Rouen, Vastfasaden in sunshine | Nicolas Poussin-The Triumph of Pan | Robert Peake the Elder-Portrait of Sir John Penruddock | Piero di Cosimo-Perseus Frees Andromeda |

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Francisco de Zurbaran