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Portrait of Don Luis de la Cerda

1684(1684) Medium Oil on canvas Dimensions 231 x 173 cm (90.9 x 68.1 in) cyf

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Portrait of Don Luis de la Cerda, Jacob Ferdinand Voet
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Jacob Ferdinand Voet:

(c. 1639 - c. 1689/1700) was a Flemish Baroque portrait painter. According to the Netherlands Institute for Art History (RKD) he was born at Antwerp as the son of the painter Elias Voet.[1] He travelled to Rome in 1679-1680, Milan in 1680, Florence in 1681, Turin in 1682-1684, and returned to Antwerp in 1684. While in Rome he lived with the painter-engraver Cornelis Bloemaert until he was banned for his portraits of women portrayed with unseemly decollet, whereupon they left Rome together. He undertook a journey to Paris in 1686 where he became court painter until he died there.He is registered as a painter of miniature portraits. According to Houbraken, he made his return journey to Antwerp from Turin in the company of Jan van Bunnik, who he had already met in Rome in the company of Cornelis Bloemaert. From Turin they set out for Lyons, where they met Adriaen van der Cabel, Peter van Bloemen, and Gillis Wenix. They set off for Paris in the company of a third painter who was a good painter of "bataljes" or battle scenes. Houbraken reports that this was Jacob, Jan van Bunnik's brother, but had not mentioned him earlier in his Jan van Bunnik biography. The RKD makes no mention of a Jacob van Bunnik. china oil painting Jacob Ferdinand Voet Portrait of Don Luis de la Cerda

Related Paintings to Jacob Ferdinand Voet :.
| Oil painting in USA | Charles de la Fosse -- Adoration of the Magi | Domenichino-Exequias de un emperador romano-227 cm x 363 cm | Peter Paul Rubens433 | Thomas Babington Macaulay, Baron Macaulay by Sir Francis Grant | Albrecht Altdorfer -- Martyrdom of Saint Catherine of Alexandria | Albrecht Durer-The Virgin Nursing the Child near the bottom,on a stone | James Ensor-Skeletons Flghting for the Body of a Hanged Man (nn03) | John William Waterhouse-The Lady of Shalott (mk41) | Camille Pissarro-Artist s Daughter | Jean Francois Millet-Geese |

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Jacob Ferdinand Voet