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Versuchung des Fra Diego de Orgaz

c. 1639 Medium Oil on canvas Dimensions Deutsch: 290 x 222 cm cjr

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Versuchung des Fra Diego de Orgaz, Francisco de Zurbaran
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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran Versuchung des Fra Diego de Orgaz

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | Frits Thaulow - Winter | Lanfranco, Giovanni di Stefano-Naumaquia romana-181 cm x 362 cm | Workshop of Andrea del Verrocchio--Madonna and Child | PIERRE-AUGUSTE RENOIR-LE JARDIN DES COLLETTES | William Ewart Gladstone by George Frederic Watts | Ernst Josephson-nacken och jungfrun | unknow artist-A glimpse of what may be th garde of Tart Hall | William McGregor Paxton-Leaving the studio | Simon Vouet-Crucifixion | Joseph Wright-Mr.and Mrs.Thomas Coltman |

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Francisco de Zurbaran