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The Presentation in the Temple or the Circumcision

c. 1560(1560) Medium oil on panel Dimensions Height: 190 cm (74.8 in). Width: 73 cm (28.7 in). cjr

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The Presentation in the Temple or the Circumcision, Pieter Aertsen
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Pieter Aertsen:

1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard). china oil painting Pieter Aertsen The Presentation in the Temple or the Circumcision

Related Paintings to Pieter Aertsen :.
| Oil painting in USA | Sarah Trimmer by Henry Howard | Country House down by the Hill, 1903 | Veen, Otto van -- De uitdeling van haring en wittebrood na de opheffing van het beleg van Leiden, 3 oktober 1574 | Sir Peter Lely by Sir Peter Lely | Edouard Manet - Luncheon on the Grass | unknow artist-St Norbert | jean-francois millet-Shepherdess with her flock (san17) | Nicolas Poussin-Seven Sacraments | Carlo Maratta-The Sleep of the Infant Jesus, with Musician Angels | Jan Stobbaerts-The Pancakes |

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Pieter Aertsen