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Kontemplation des Jesusknaben uber die Dornenkrone

1630(1630) Medium oil on canvas Dimensions 165 X 230 cm cyf

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Kontemplation des Jesusknaben uber die Dornenkrone, Francisco de Zurbaran
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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran Kontemplation des Jesusknaben uber die Dornenkrone

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | Rembrandt Harmenszoon van Rijn042 | Gerolamo Mocetto - The Massacre of the Innocents | Eugene-Louis Boudin, French, 1824-1898 -- Camaret, Le Toulinguet | Giovanni Boldini (11) | John Constable (8) | Vincenzo Cabianca-I novellieri fiorentini del XIV secolo | Francisco Goya-Portrait of Josefa Bayeu | manguin-den 14 juli i saint trint tropez | Jules Pascin-Moonlight | unknow artist-Painting of Alfred Sisley in the Orsay Museum, Paris |

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Francisco de Zurbaran