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All Albert Bierstadt Oil Paintings
    
     Artist Introduction: German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
     
Albert Bierstadt Niagara china oil painting artist


Niagara
Painting ID::  2459 		  1869 19.02 x 27.01 ins / 48.3 x 68.6 cm Private collection
 

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All Frederic E.Church Oil Paintings
    
     Artist Introduction: 1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
     
Frederic E.Church Niagara china oil painting artist


Niagara
Painting ID::  26204 		  mk48 1857 Oil on canvas 42 1/2x90 1/2in Corcoran Gallery of Art, Washington,D.C.,Museum Purchase,Gallery Fund
 

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All Currier and Ives Oil Paintings
    
     Artist Introduction: American Publisher, 1834-1907
     
Currier and Ives Niagara china oil painting artist


Niagara
Painting ID::  30934 		  mk68 1857
 

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All Frederick Edwin Church Oil Paintings
    
     Artist Introduction: 1826-1900 Frederick Edwin Church Galleries Frederic Edwin Church (May 4, 1826 ?C April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works". The family wealth came from Church's father, Joseph Church, a silversmith and watchmaker in Hartford, Connecticut.(Joseph subsequently also became an official and a director of The Aetna Life Insurance Company) Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires, and this allowed him(Frederic) to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Atheneum, introduced the two. In May 1848, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartford's Wadsworth Atheneum. Church settled in New York where he taught his first pupil, William James Stillman. From the spring to autumn each year Church would travel, often by foot, sketching. He returned each winter to paint and to sell his work. Between 1853 and 1857, Church traveled in South America, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian explorer Alexander von Humboldt's Cosmos and his exploration of the continent; Humboldt had challenged artists to portray the "physiognomy" of the Andes.
     
Frederick Edwin Church Niagara china oil painting artist


Niagara
Painting ID::  31889 		  mk77 1857 Oil on canvas 42 1/4x990 1/2in
 

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All Louis Remy Mignot Oil Paintings
    
     Artist Introduction: Feb.3.1831-Sep.22.1870
     
Louis Remy Mignot Niagara china oil painting artist


Niagara
Painting ID::  39076 		  mk140 1866 Oil on canvas 123.8x232.4cm
 

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All Frederick Edwin Church Oil Paintings
    
     Artist Introduction: 1826-1900 Frederick Edwin Church Galleries Frederic Edwin Church (May 4, 1826 ?C April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works". The family wealth came from Church's father, Joseph Church, a silversmith and watchmaker in Hartford, Connecticut.(Joseph subsequently also became an official and a director of The Aetna Life Insurance Company) Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires, and this allowed him(Frederic) to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Atheneum, introduced the two. In May 1848, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartford's Wadsworth Atheneum. Church settled in New York where he taught his first pupil, William James Stillman. From the spring to autumn each year Church would travel, often by foot, sketching. He returned each winter to paint and to sell his work. Between 1853 and 1857, Church traveled in South America, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian explorer Alexander von Humboldt's Cosmos and his exploration of the continent; Humboldt had challenged artists to portray the "physiognomy" of the Andes.
     
Frederick Edwin Church Niagara china oil painting artist


Niagara
Painting ID::  42771 		  MK169 1857 oil Paint on cloth 108x230cm
 

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All Louis Remy Mignot Oil Paintings
    
     Artist Introduction: Feb.3.1831-Sep.22.1870
     
Louis Remy Mignot Niagara china oil painting artist


Niagara
Painting ID::  72687 		  ca. 1866(1866) Oil on canvas 123.8 X 232.4 cm (48.74 X 91.5 in) cjr
 

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All Louis Remy Mignot Oil Paintings
    
     Artist Introduction: Feb.3.1831-Sep.22.1870
     
Louis Remy Mignot Niagara china oil painting artist


Niagara
Painting ID::  74449 		  Date ca. 1866(1866) Medium Oil on canvas Dimensions 123.8 X 232.4 cm (48.74 X 91.5 in) cyf
 

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All Alvan Fisher Oil Paintings
    
     Artist Introduction: American Painter, 1792-1863, American painter. Soon after he left the tutelage of John Ritto Penniman (c. 1782-1841), he began to paint genre landscapes such as Winter in Milton, Massachusetts (1815; Montclair, NJ, A. Mus.), which depicts a man on a horse-drawn sleigh enjoying the beauty of a fresh New England snowfall.
     
Alvan Fisher Niagara china oil painting artist


Niagara
Painting ID::  75747 		  Dates: 1820 Dimensions: 87.2 cm x 122 cm Medium: Painting - oil on canvas cyf
 

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| farms and housing | Coast Scene | Woman have crimp | Two laughing boys | Boat Warpers |

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