Wholesale Oil Painting Reproductions No Minimum and Door to Door!
Prev       Next     
   

All Dante Gabriel Rossetti Oil Paintings
    
     Artist Introduction: English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.
     
Dante Gabriel Rossetti Saint Catherine china oil painting artist


Saint Catherine
Painting ID::  3590 		  1857
 

Height    Width


  INS/CM       Quality

X

  

All Dante Gabriel Rossetti Oil Paintings
    
     Artist Introduction: English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.
     
Dante Gabriel Rossetti Saint Catherine china oil painting artist


Saint Catherine
Painting ID::  3591 		  1857
 

Height    Width


  INS/CM       Quality

X

  

All Fernando Yanez Oil Paintings
    
     Artist Introduction: Spanish 1489-1536 Fernando Yanez Gallery
     
Fernando Yanez Saint Catherine china oil painting artist


Saint Catherine
Painting ID::  19147 		  undated, oil on panel, Museo del Prado at Madrid
 

Height    Width


  INS/CM       Quality

X

  

All unknow artist Oil Paintings
    
     Artist Introduction:
     
unknow artist Saint catherine china oil painting artist


Saint catherine
Painting ID::  27535 		  mk56 oil on canvas,unframed Circle of Pietro Dadini
 

Height    Width


  INS/CM       Quality

X

  

All Caravaggio Oil Paintings
    
     Artist Introduction: Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
     
Caravaggio Saint Catherine china oil painting artist


Saint Catherine
Painting ID::  30531 		  mk68 Oil on canvas 5'8"x4'4 1/4" Madrid,Thyssen-Bornemiszxa Museum 1595-1596 Italy
 

Height    Width


  INS/CM       Quality

X

  

All Bernardino Lanino Oil Paintings
    
     Artist Introduction: (1512 -1583 ) - Painter
     
Bernardino Lanino Saint Catherine china oil painting artist


Saint Catherine
Painting ID::  96561 		  between 1527(1527) and 1531(1531) Medium Oil on cyf
 

Height    Width


  INS/CM       Quality

X

  
Prev       Next     

Related Paintings to Bernardino Lanino :.
| Portrait of a Man aged 32 | Dagmar | Sister Inger | Self-Portrait | A Woman holding a mask |

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings