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Art Work: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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Nittis, Giuseppe de

Italian, 1846-84 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism, he achieved great success in his lifetime,

The Place des Pyramides
The Place des Pyramides
Painting ID:: 19652

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1875 Oil on canvas Mus??e d'Orsay, Paris.
1875 Oil on canvas Mus??e d'Orsay, Paris.

Giuseppe De Nittis

Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,

The Place des Pyramides
The Place des Pyramides
Painting ID:: 11485

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	Picture Frames

1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883

Giuseppe De Nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
The Place des Pyramides
1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883

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