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Vittore Carpaccio

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
Vittore Carpaccio Stephen Preaching at Jerusalem (mk05) painting


Stephen Preaching at Jerusalem (mk05)
Stephen Preaching at Jerusalem (mk05)
Painting ID::  20081
   Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
  Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812

 
 
   
      
Vittore Carpaccio
Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
Stephen Preaching at Jerusalem (mk05)
Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
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Related Paintings to Vittore Carpaccio :.
| Portrait of Benjamin Rush | The Mill under the moonlight | Pollard Willows (nn04) | suprematism | Life in the Country |

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