Wholesale Oil Painting No Minimum



Prev       Next     
 
    

Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

Anthony Van Dyck Portrait of queen henrietta maria with sir jeffrey hudson (mk03) painting


Portrait of queen henrietta maria with sir jeffrey hudson (mk03)
Portrait of queen henrietta maria with sir jeffrey hudson (mk03)
Painting ID::  20502
  1633 Oil on canvas, 86 1/4x53 1/8"(219.1x134.8cm) National Gallery of Art. Washington. D.C. Samuel H,Kress Collection
  1633 Oil on canvas, 86 1/4x53 1/8"(219.1x134.8cm) National Gallery of Art. Washington. D.C. Samuel H,Kress Collection

 

 
   
      

Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
Portrait of queen henrietta maria with sir jeffrey hudson (mk03)
1633 Oil on canvas, 86 1/4x53 1/8"(219.1x134.8cm) National Gallery of Art. Washington. D.C. Samuel H,Kress Collection

Prev       Next     

Related Paintings to Anthony Van Dyck :.
| Church at Moret after the Rain | The Outer Harbor | Artist-s father | The Virgin and Child Enthroned | Winter Scene at Yseleuiden (mk08) |


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings