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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

Gerard David The Marriage at Cana (mk05) painting


The Marriage at Cana (mk05)
The Marriage at Cana (mk05)
Painting ID::  20053
  Wood 39 1/4 x 50 1/2''(100 x 128 cm)From the collection of Louis XIV acquired before 1683
  Wood 39 1/4 x 50 1/2''(100 x 128 cm)From the collection of Louis XIV acquired before 1683

 

 
   
      

VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588

VERONESE (Paolo Caliari) The Marriage at Cana (mk05) painting


The Marriage at Cana (mk05)
The Marriage at Cana (mk05)
Painting ID::  20320
  Canvas,262 1/4 x 390''(666 x 990 cm)According to tradition,artists of Venice and Princes of the perild figure among the guests.the artists,Portrayed as musicians,include Titian,Veronese himself and his brother Benedetto,Tintoretto,Jacopo Bassano,and Palladio.Painted 1562-1563 for the refectory at San Giorgio Maggiore,Venicel;acquired in 1789
  Canvas,262 1/4 x 390''(666 x 990 cm)According to tradition,artists of Venice and Princes of the perild figure among the guests.the artists,Portrayed as musicians,include Titian,Veronese himself and his brother Benedetto,Tintoretto,Jacopo Bassano,and Palladio.Painted 1562-1563 for the refectory at San Giorgio Maggiore,Venicel;acquired in 1789

 

 
   
      

Juan de Valdes Leal

Seville 1622-1690 was a Spanish painter of the Baroque era. He was born at Seville in 1622, and distinguished himself as a painter, sculptor, and architect. He worked for a time under Antonio del Castillo. Among his works are a History of the Prophet Elias for the church of the Carmelites; a Martyrdom of St. Andrew for the church of San Francesco at Cerdoba; and a Triumph of the Cross for la Caridad at Seville. He was one of the founders of the Seville Academy along with his friend, Bartolome Esteban Murillo. He died at Seville. His wife (daughter of Antonio Palomino), Isabella Carasquilla, was also a painter. She died at Seville as late as 1730. Their children were artists, including Lucas, Juan, Maria, and Laura de Valdes. His daughters specialized in portrait miniatures.

Juan de Valdes Leal The Marriage at Cana (mk05) painting


The Marriage at Cana (mk05)
The Marriage at Cana (mk05)
Painting ID::  20566
  1660 Wood,9 1/2 x 13 1/2''(24 x 34 cm)Acquired in 1980
  1660 Wood,9 1/2 x 13 1/2''(24 x 34 cm)Acquired in 1980

 

 
   
      

Juan de Valdes Leal
Seville 1622-1690 was a Spanish painter of the Baroque era. He was born at Seville in 1622, and distinguished himself as a painter, sculptor, and architect. He worked for a time under Antonio del Castillo. Among his works are a History of the Prophet Elias for the church of the Carmelites; a Martyrdom of St. Andrew for the church of San Francesco at Cerdoba; and a Triumph of the Cross for la Caridad at Seville. He was one of the founders of the Seville Academy along with his friend, Bartolome Esteban Murillo. He died at Seville. His wife (daughter of Antonio Palomino), Isabella Carasquilla, was also a painter. She died at Seville as late as 1730. Their children were artists, including Lucas, Juan, Maria, and Laura de Valdes. His daughters specialized in portrait miniatures.
The Marriage at Cana (mk05)
1660 Wood,9 1/2 x 13 1/2''(24 x 34 cm)Acquired in 1980

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