Wholesale Oil Painting No Minimum

ARTIST: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Art Work: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Prev Next

Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

Etude pour la tete d'Apollon dans La Forge de Vulcain (df02)
Etude pour la tete d'Apollon dans La Forge de Vulcain (df02)
Painting ID:: 22661

	Stretched Services
	Picture Frames

1630 Study for the Head of Apollo in The Forge of Vulcan Kopf des Apoll in der "Schmiede des Vulkan 36.3 x 25.2 cm
1630 Study for the Head of Apollo in The Forge of Vulcan Kopf des Apoll in der "Schmiede des Vulkan 36.3 x 25.2 cm

Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Etude pour la tete d'Apollon dans La Forge de Vulcain (df02)
1630 Study for the Head of Apollo in The Forge of Vulcan Kopf des Apoll in der "Schmiede des Vulkan 36.3 x 25.2 cm

Prev Next