Wholesale Oil Painting No Minimum
Prev       Next     
 
    

Thomas Heaphy

English Painter, 1775-1835 He trained at John Boyne's drawing school in Gloucester Street, Bloomsbury, London, and exhibited portraits at the Royal Academy from 1797. Following the success of a portrait of the Russian ambassador, Count Woronzow, he was appointed portrait painter to the Princess of Wales. Thomas Lawrence observed Heaphy's success and bought some of his pictures but had little cause to envy Heaphy's style, which owed much to the vocabulary of civic portraiture popularized by Joshua Reynolds (e.g. Portrait of a Naval Officer; London, V&A). Heaphy's largest project, The Duke of Wellington in Consultation with his Officers Previous to a General Engagement (Newcastle upon Tyne, Laing A.G.), was begun in Spain in 1813 during the Peninsular War and was finished in 1816. The engraving, which was intended to ensure Heaphy's fortune, was not released until 1822, by which time interest in the war had waned. Heaphy failed to finish his Battle of Waterloo (1816; untraced), another panoramic multiple portrait. Heaphy's other speciality, paintings of ports, markets, tradespeople and labourers, brought him great popularity between 1807 and 1811.
Thomas Heaphy Credulity,When love's epistle its sweet tale explains,time flies untole,and wild confusion reigns painting


Credulity,When love's epistle its sweet tale explains,time flies untole,and wild confusion reigns
Credulity,When love's epistle its sweet tale explains,time flies untole,and wild confusion reigns
Painting ID::  26085
   SPWC 1808 bt T.Lawrence Watercolour 611x461mm British Museum,London
  SPWC 1808 bt T.Lawrence Watercolour 611x461mm British Museum,London

 
 
   
      
Thomas Heaphy
English Painter, 1775-1835 He trained at John Boyne's drawing school in Gloucester Street, Bloomsbury, London, and exhibited portraits at the Royal Academy from 1797. Following the success of a portrait of the Russian ambassador, Count Woronzow, he was appointed portrait painter to the Princess of Wales. Thomas Lawrence observed Heaphy's success and bought some of his pictures but had little cause to envy Heaphy's style, which owed much to the vocabulary of civic portraiture popularized by Joshua Reynolds (e.g. Portrait of a Naval Officer; London, V&A). Heaphy's largest project, The Duke of Wellington in Consultation with his Officers Previous to a General Engagement (Newcastle upon Tyne, Laing A.G.), was begun in Spain in 1813 during the Peninsular War and was finished in 1816. The engraving, which was intended to ensure Heaphy's fortune, was not released until 1822, by which time interest in the war had waned. Heaphy failed to finish his Battle of Waterloo (1816; untraced), another panoramic multiple portrait. Heaphy's other speciality, paintings of ports, markets, tradespeople and labourers, brought him great popularity between 1807 and 1811.
Credulity,When love's epistle its sweet tale explains,time flies untole,and wild confusion reigns
SPWC 1808 bt T.Lawrence Watercolour 611x461mm British Museum,London
Prev       Next     

Related Paintings to Thomas Heaphy :.
| We come from who we are where we are | Caryatid | David with the Head of Goliath | Unknow work 104 | La Rue Montorgueil, |

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings