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Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Frederic E.Church Jerusalem from the Mount of Olives painting


Jerusalem from the Mount of Olives
Jerusalem from the Mount of Olives
Painting ID::  26237
   mk48 1868 Brush and oil paint,graphite on tan paperboard 11 13/16x18 1/2in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
  mk48 1868 Brush and oil paint,graphite on tan paperboard 11 13/16x18 1/2in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church

 
 
   
      

Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Frederic E.Church Jerusalem from the Mount of Olives painting


Jerusalem from the Mount of Olives
Jerusalem from the Mount of Olives
Painting ID::  26250
   mk48 1870 Oil on canvas 54 1/4x84 3/8in The Nelson-Atkins Museum of AArt,Kansan City,Missouri
  mk48 1870 Oil on canvas 54 1/4x84 3/8in The Nelson-Atkins Museum of AArt,Kansan City,Missouri

 
 
   
      
Frederic E.Church
1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Jerusalem from the Mount of Olives
mk48 1870 Oil on canvas 54 1/4x84 3/8in The Nelson-Atkins Museum of AArt,Kansan City,Missouri
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