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ROBERT, Hubert

French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings
ROBERT, Hubert Imaginary View of the Grande Galerie in the Louvre in Ruins painting


Imaginary View of the Grande Galerie in the Louvre in Ruins
Imaginary View of the Grande Galerie in the Louvre in Ruins
Painting ID::  31375
   nn07 1796 Oil on canvas, 114,5 x 146 cm Mus??e du Louvre, Paris
  nn07 1796 Oil on canvas, 114,5 x 146 cm Mus??e du Louvre, Paris

 
 
   
      

ROBERT, Hubert

French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings
ROBERT, Hubert Imaginary View of the Grande Galerie in the Louvre in Ruins painting


Imaginary View of the Grande Galerie in the Louvre in Ruins
Imaginary View of the Grande Galerie in the Louvre in Ruins
Painting ID::  40632
   mk156 1796 Oil on canvas 115x145cm
  mk156 1796 Oil on canvas 115x145cm

 
 
   
      
ROBERT, Hubert
French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings
Imaginary View of the Grande Galerie in the Louvre in Ruins
mk156 1796 Oil on canvas 115x145cm
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