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Simon Vouet

b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.
Simon Vouet Diana painting


Diana
Diana
Painting ID::  10147
   1637 Oil on canvas 102 x 141 cm
  1637 Oil on canvas 102 x 141 cm

 
 
   
      

Jules Elie Delaunay

Nantes 1828 - Paris 1891. French Neoclassical Painter. Studied under Hippolyte Flandrin. French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.
Jules Elie Delaunay Diana painting


Diana
Diana
Painting ID::  10905
   Salon of 1872. 4' 11 3/4" x 3' 1" ( 147 x 94 cm ).
  Salon of 1872. 4' 11 3/4" x 3' 1" ( 147 x 94 cm ).

 
 
   
      

VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588
VERONESE (Paolo Caliari) Diana painting


Diana
Diana
Painting ID::  29057
   mk65 ca.1560 Oil on canvas 11x6"
  mk65 ca.1560 Oil on canvas 11x6"

 
 
   
      

Augustus Saint-Gaudens

Irish-born American Realist Sculptor, 1848-1907, He was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the "American Renaissance." Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97
Augustus Saint-Gaudens Diana painting


Diana
Diana
Painting ID::  38378
   mk136 Oil on canvas 1889
  mk136 Oil on canvas 1889

 
 
   
      

Paolo Veronese

Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.
Paolo Veronese Diana painting


Diana
Diana
Painting ID::  40991
   mk159 c.1560 Oil on canvas 28x16cm
  mk159 c.1560 Oil on canvas 28x16cm

 
 
   
      

Simon Vouet

b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.
Simon Vouet Diana painting


Diana
Diana
Painting ID::  74507
   1637 Oil on canvas 102 X 141 cm (40.16 X 55.51 in) cjr
  1637 Oil on canvas 102 X 141 cm (40.16 X 55.51 in) cjr

 
 
   
      

Simon Vouet

French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.
Simon Vouet Diana painting


Diana
Diana
Painting ID::  76032
   Date 1637 Medium Oil on canvas Dimensions 102 ?? 141 cm (40.2 ?? 55.5 in) cyf
  Date 1637 Medium Oil on canvas Dimensions 102 ?? 141 cm (40.2 ?? 55.5 in) cyf

 
 
   
      
Simon Vouet
French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.
Diana
Date 1637 Medium Oil on canvas Dimensions 102 ?? 141 cm (40.2 ?? 55.5 in) cyf
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