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Carlo Crivelli

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

Carlo Crivelli The Dead Christ Supported by two angels painting


The Dead Christ Supported by two angels
The Dead Christ Supported by two angels
Painting ID::  42866
  mk170 1473-1475 Tempera on poplar 72.4x55.2cm
  mk170 1473-1475 Tempera on poplar 72.4x55.2cm

 

 
   
      

Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
The Dead Christ Supported by two angels
mk170 1473-1475 Tempera on poplar 72.4x55.2cm

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Related Paintings to Carlo Crivelli :.
| The Andes of Ecuador | The Concert | The Deceased Dimas | Les Montagnes Rocheuses,Lander's Peak | The Bridge of Trois-Sautets |


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